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Shirle Wempner: Impressions of Montana
Published
12 years agoon
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AdminBy René Kraus, Explorebigsky.com Contributor
Shirle Wempner is at once charming, engaging and self-effacing. After many years working as a legal services professional, she now devotes her attention full time to her art. She’s enjoyed increasing visibility and professional success in recent years, something she says is improbable, incredible and wonderful.
Growing up on Eagle Cliff Ranch outside of Billings, Wempner had few nearby playmates. Comfortable with solitude, Wempner’s vivid imagination was inspired by mystical animals and fairy-tale creatures, and horses and other ranch animals became her real world companions.
The connection to animals is evident in many of her impressionist paintings today. She tells a revealing story from her recent past: Several years ago, she came across a sick eagle while she was out riding across the ranch. She sat with it, and fed it over the next few days.
“That bird would look directly into my eyes,” she says.
Eventually, the eagle recovered and she watched it fly away. Profoundly influenced by the encounter, Wempner describes it as cathartic and emotional.
Using broad, sweeping strokes and a vivid, intuitive color palette, Wempner paints an impression of an animal without specific individual features, leaving viewers to fill in the detail. This drive to evoke emotion is a central element of her work.
Surprisingly, Wempner only recently began painting horses—for many years, she wasn’t confident she could authentically capture them. A recent first place award at the annual Art at the Classic juried art show for a study of a Belgian draft horse must certainly now dispel this doubt.
“The most enjoyable aspect of my creative process is allowing the unknown—and unplanned—to take shape on the canvas,” Wempner says.
This theme is recurring in Wempner’s work, and is something she learned early on. While studying art in college, she was trained in metalsmithing. She found that she loved the mistakes that resulted in crafting metal art; instead of discarding them, she accepted these pieces as fully intended. Now, through her painting, Wempner consciously tries to silence the analytical voice, allowing a painting to create itself.
Wempner has sought artistic coaching and counsel from such heavyweights as Jack Hines, Jessica Zemsky, Thomas English and Carolyn Anderson. She’s also influenced by Native American traditions and reverence for animals and sometimes consults ‘animal cards,’ which are traditionally used by Native Americans to interpret animals and the messages they impart.
Being an impressionistic artist in Montana is somewhat unusual, but Wempner is confident in her intuitive and open style. She looks forward to each new piece as it unfolds, revealing new insights and emotions.
Shirle Wempner is represented by the Creighton Block Gallery, in the Big Sky Town Center.
René Kraus is a freelance writer and communications consultant with an avid interest in the arts and Montana’s outdoor lifestyle. Her work appears regularly in print and online media. She is currently finishing a children’s book about life lessons from a dog.
This story was originally published in the Summer 2012 edition of Mountain Outlaw magazine. Read more here
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We all are familiar with using a limited palette, but do you use one? Do you know how to use a
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Event Details
We all are familiar with using a limited palette, but do you use one? Do you know how to use a limited palette to create different color combinations? Are you tired of carrying around 15-20 different tubes when you paint plein air? Have you ever wanted to create a certain “mood” in a painting but failed? Do you create a lot of mud? Do you struggle to achieve color harmony? All these problems are addressed in John’s workbook in clear and concise language!
Based on the bestselling “Limited Palatte, Unlimited Color” workbook written by John Pototschnik, the workshop is run by Maggie Shane and Annie McCoy, accomplished landscape (acrylic) and plein air (oil) artists,exhibitors at the Big Sky Artists’ Studio & Gallery and members of the Big Sky Artists Collective.
Each student will receive a copy of “Limited Palette, Unlimited Color” to keep and take home to continue your limited palette journey. We will show you how to use the color wheel and mix your own clean mixtures to successfully create a mood for your paintings.
Each day, we will create a different limited palette color chart and paint a version of a simple landscape using John’s directives. You will then be able to go home and paint more schemes using the book for guidance.
Workshop is open to painters (oil or acrylic) of any level although students must have some basic knowledge of the medium he or she uses. Students will be provided the book ($92 value), color wheel, value scale and canvas papers to complete the daily exercises.
Sundays, April 14, 21 and 28, 2024
Noon until 6PM.
$170.
Time
14 (Sunday) 12:00 pm - 28 (Sunday) 6:00 pm
Event Details
Trivia from 7 to 9 p.m. at The Waypoint in Town Center. Participation is free, food and beverages available.
Event Details
Trivia from 7 to 9 p.m. at The Waypoint in Town Center. Participation is free, food and beverages available.
Time
(Wednesday) 7:00 pm - 9:00 pm
Location
The Waypoint
50 Ousel Falls Rd