This is the moment you recount again and again, to anyone who will listen at bars, over dinner, and around campfires. People may be sick of hearing about it, but you find it creeping into conversations over and over.
This is the best ski run of your life.
I hit my high-water mark in mid-January, at Baldface Lodge outside of Nelson, British Columbia, high in the Selkirk Range.
A cross, dedicated to the late Canadian snowboarding legend Craig Kelly, overlooks the cat skiing operation of Baldface Lodge.
In some sort of skier’s divine intervention, the conditions lined up perfectly. Ten centimeters of snow fell two days before we arrived, then 15 centimeters the following day – all on top of a 6-foot base with great stability. This part of Canada is often socked in during the winter, but for some reason, the sun decided to show its face on this day.
My adrenaline was jacked as we stood at the top of Baldface Peak.
The author fresh out of the “white room” PHOTO BY ADRIAN MORIN
The high summits of multiple provincial parks poked their heads above the ever-shifting clouds snaking through the valleys below.
Then we see our line.
Beneath the tips of my skis, more than 2,000 feet of virgin snow lay from the top to the valley floor. I feel as if I’d dreamt of this before, but now the wind is cold, the sun is bright, and I am actually here.
The view from the front of Baldface Lodge OUTLAW PARTNERS PHOTO
We drop in, rapidly gaining speed. The west face of Baldface Peak shows itself,as a completely untouched canvas below. At the same time that I want to make small, jumpy powder turns, the urge to open up the throttle and make sweeping giant slalom turns overtakes me.
We are ripping now.
On every turn, champagne powder snow blasts my face and blows over my shoulders. I laugh, yell, and have an ice cream headache. My beard is caked in snow from trips in and out of “the white room.”
Sun, snow, sun, snow, sun, snow – it’s the dreamy repetition of a skier’s cadence.
I’m not sure if time actually slows down, but it seems to last forever. The next thing I know, I’m at the bottom of the peak, looking up at over 2,300 feet of the mountain I just danced with. I can pick out my tracks, right from the top to where I now stand.
I’m sweating, out of breath, laughing, joyously cursing, high fiving and in complete amazement.
When replaying the day at the lodge that evening, a longtime Baldface skier quipped, “You may have different runs than that, but you will never have better runs than that.”
With incredible snow stacking up throughout the Northern Rockies, I hope you get to ski the best run of your life this winter.
The lodge illuminated and wearing a fresh coat of Canadian powder OUTLAW PARTNERS PHOTO
We all are familiar with using a limited palette, but do you use one? Do you know how to use a
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We all are familiar with using a limited palette, but do you use one? Do you know how to use a limited palette to create different color combinations? Are you tired of carrying around 15-20 different tubes when you paint plein air? Have you ever wanted to create a certain “mood” in a painting but failed? Do you create a lot of mud? Do you struggle to achieve color harmony? All these problems are addressed in John’s workbook in clear and concise language!
Based on the bestselling “Limited Palatte, Unlimited Color” workbook written by John Pototschnik, the workshop is run by Maggie Shane and Annie McCoy, accomplished landscape (acrylic) and plein air (oil) artists,exhibitors at the Big Sky Artists’ Studio & Gallery and members of the Big Sky Artists Collective.
Each student will receive a copy of “Limited Palette, Unlimited Color” to keep and take home to continue your limited palette journey. We will show you how to use the color wheel and mix your own clean mixtures to successfully create a mood for your paintings.
Each day, we will create a different limited palette color chart and paint a version of a simple landscape using John’s directives. You will then be able to go home and paint more schemes using the book for guidance.
Workshop is open to painters (oil or acrylic) of any level although students must have some basic knowledge of the medium he or she uses. Students will be provided the book ($92 value), color wheel, value scale and canvas papers to complete the daily exercises.