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A recap: Subaru Freeride Series Qualifier for 2014 World Tour
Published
11 years agoon
By Joseph T. O’Connor and Emily Stifler ExploreBigSky.com Editors
This article was written when Moonlight Basin Resort was its own separate entity. Last October, CrossHarbor Capital Partners, owners of the Yellowstone Club, and Boyne Resorts, owners of Big Sky Resort, announced a collaboration to bring Moonlight Basin out of Chapter 11 bankruptcy protection. The result: The biggest skiing in America: 5,750 acres and 4,350 feet of vertical drop. This year, the Subaru Freeride Series runs from April 2-7 at Big Sky Resort.
MOONLIGHT BASIN – At 8:07 a.m. on March 15, clouds shrouded the 1,500-foot-vertical Headwaters cirque. The air was warm, but a cool breeze would keep conditions in the venue hard and unforgiving on this first day of competition.
Inside the athlete tent, Mark Chapman of Colorado Springs was buckling his boots.
“It’s a little bare, but the snow was pretty soft yesterday. As long as I choose a line wisely, I should be good,” said the 25-year-old. In this comp last year, Chapman missed qualifying for the Freeskiing World Tour by two spots.
It’s a fine line in these qualifiers: athletes travel on their own dime and compete with some of the world’s best skiers in a high speed, high risk venue, vying for a chance at stardom – and, in this event, prize money totaling $10,000.
The athletes delivered.
During the two days of the Freeride World Tour Qualifier on March 15 and 16, conditions were shrugged aside.
Big air and top-end speed dominated as skiers put their fate on finely tuned edges and a will to win.“Moonlight is a really strong venue, probably one of the heaviest ones in the U.S. because of the steepness, the continuousness and the amount of rock,” said Daryn Edmunds, a writer for Unofficial Networks and an 11-year veteran of the tour. “There isn’t a place on the Day 1 venue where you can fall and not get tomahawked into rocks. There’s no safe zone anywhere.”
But high stakes situations like this bring people together, and the competitors are one big family. The fear can grip them, the terrain and conditions intimidate, but after each run, they shout support and wait to hug each other at the finish line.
MEN
First place: Patty Baskins, Vail, Colo.
Second place: Christian “Little C” Boucher, Whistler, B.C.
Third place: Randy Evans, Bridger Bowl, Mont.
WOMEN
First place: Hadley Hammer, Jackson Hole, Wyo.
Second place: Sasha Dingle, Bozeman, Mont.
Third place: Katrina Devore, Aspen, Colo.
_______________
FWT judging
As explained by Joe Turner, a judge at Moonlight
With the combination of the Freeride World Tour and the Freeskiing World Tour this year, the point system has changed to a 100-point scale. Leaving the starting gate, every competitor has 50 points; from there, it’s up to them to either maintain or build upon that.
The way they can do that is through five different criteria:
Line score
Fluidity
Technique
Control
Air and style
Time
If you just ski straight down without hitting any features, you get a 50. If you ski down and hesitate, you lose points. If you hit a cliff, rock band or another feature, you gain points. If you stop atop a cliff or don’t land cleanly, you lose points.
The judges try to award using as much terrain and as many features on the mountain as possible, but doing it within your abilities in a smart way, being smooth and aggressive, not skiing out of control. Don’t scare the judges – if you do, you’re going to be docked points.
We want to see people who can utilize the mountain from top to bottom as effortlessly as possible, using as many features as possible.
Megan Paulson is the Co-Founder and Chief Operating Officer of Outlaw Partners.
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We all are familiar with using a limited palette, but do you use one? Do you know how to use a limited palette to create different color combinations? Are you tired of carrying around 15-20 different tubes when you paint plein air? Have you ever wanted to create a certain “mood” in a painting but failed? Do you create a lot of mud? Do you struggle to achieve color harmony? All these problems are addressed in John’s workbook in clear and concise language!
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