GRAND CANYON – The river’s deafening roar against the marbled cliffs hammers my mind like a bad bottle of bourbon. My heart skips as the sound of the water crashes against every submerged boulder, its power scouring the rocks from the bottom of this ancient canyon.
Waves crash against the shore, their behavior more flagrant every hour. I feel cagy, watching camp disappear under the encroaching abyss now surging like ocean tide, but eventually, at 1 a.m., I crawl into my sleeping bag.
At 4 a.m., I check the boats – my eighth time. They’re dancing frantically at the end of their 20-foot bowlines, and the once-calm eddy circling under them has turned to a microburst of wood, garbage and foam.
I walk to the lower reaches of the 1,000-foot limestone rim towering over our camp and place my hand on its stony bosom. The rock vibrates beneath my palm, charged by the explosions of water upstream.
I lie back down and look to the stars, the canyon walls silhouetted above me. Weary, I try to collect my thoughts from the days prior. I remember the feeling of my boat falling out from under me, a 20-foot wave smashing my chest, the brown rapids surging with power. The world becomes dark and wet. In this moment, absorbing the chaos around me, I find peace.
High flow releases on the Colorado River
George led this high-water trip down the Grand Canyon from Nov. 18 – Dec. 7, 2012. The river level peaked at 42,000 cubic feet per second during that time – high compared to an average summer trip’s 8,000-12,000 cfs.
The high-flow release was part of a 16-year Bureau of Reclamation experimental program designed to mimic the natural flooding of the Colorado River through Glen and Grand canyons that occurred prior to the construction and operation of the Glen Canyon Dam, according to the USBR website.
The high water picks up sand stored in the river channel and re-deposits it downstream in sandbars and beaches. These sand features and associated backwater habitats can provide key fish and wildlife habitat, potentially reduce erosion of archaeological sites, restore and enhance riparian vegetation, increase the size of beaches, and enhance wilderness values along the river.
– E.S.
THE GEAR: Kokatat Ronin Pro PFD
Kokatat is an industry leader in creating functional PFDs that provide safety with a bit of style. One of the most comfortable, low profile PFDs I’ve worn, the new Ronin Pro is a welcome addition to my boating gear. My Ronin had its maiden voyage on a 16-day Grand Canyon trip last fall. The adjustable design allows for a snug fit around the torso, while leaving shoulders free for rowing, paddling or the unexpected swim. Safety features include ample flotation, full spinal protection and a rescue-rigged harness. Large pockets and durable construction round out this jacket’s great design.
We all are familiar with using a limited palette, but do you use one? Do you know how to use a
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We all are familiar with using a limited palette, but do you use one? Do you know how to use a limited palette to create different color combinations? Are you tired of carrying around 15-20 different tubes when you paint plein air? Have you ever wanted to create a certain “mood” in a painting but failed? Do you create a lot of mud? Do you struggle to achieve color harmony? All these problems are addressed in John’s workbook in clear and concise language!
Based on the bestselling “Limited Palatte, Unlimited Color” workbook written by John Pototschnik, the workshop is run by Maggie Shane and Annie McCoy, accomplished landscape (acrylic) and plein air (oil) artists,exhibitors at the Big Sky Artists’ Studio & Gallery and members of the Big Sky Artists Collective.
Each student will receive a copy of “Limited Palette, Unlimited Color” to keep and take home to continue your limited palette journey. We will show you how to use the color wheel and mix your own clean mixtures to successfully create a mood for your paintings.
Each day, we will create a different limited palette color chart and paint a version of a simple landscape using John’s directives. You will then be able to go home and paint more schemes using the book for guidance.
Workshop is open to painters (oil or acrylic) of any level although students must have some basic knowledge of the medium he or she uses. Students will be provided the book ($92 value), color wheel, value scale and canvas papers to complete the daily exercises.