Opinion
Ski Tips with Dan Egan
Published
4 years agoon
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Outlaw PartnersRhythm romance: How to become a fluid skier
By Dan Egan EBS CONTRIBUTOR
Watching a great skier is like watching a live dance or theatrical performance. There is lightness and a touch to their movements, each of which is accented by the constant fluid motion of energy.
In skiing, fluidity is the point where dynamic tension no longer limits motion. Rather, the skier’s motion is innate and instinctive, happening in anticipation of the terrain, not in reaction. Fluidity adds the art of dance to the movement of skiing.
How do you become a fluid skier? Situational skiing is the best way to find the dance within yourself. This means constantly readjusting your body position to stay in control.
It doesn’t mean tackling the most challenging terrain you’re able to get down, which is how many skiers judge themselves. They wear the runs they’ve skied like badges of honor, defining their day by what and where they skied. This is all fine; however, if your chosen terrain causes you to ski with dynamic tension, you won’t ski fluidly.
If someday you want to dance down a steep or bumpy run, you need to step back and relax on terrain you can move confidently through, rather than just survive. The result will be a more fluid style.
As I often tell students in my clinics, the best way to break through on skis is to pick a run you can master and ski it again and again—maybe five or six times in a row—taking roughly the same line each time. This will help you build confidence and discover how to anticipate the terrain rather than react to it. It’s why racers train on the same course throughout a day. The repetition allows you to relax and let your body take over. You’ll release the dynamic tension you’ve been holding, and move with more dynamic motion.
Being relaxed like this also helps you tune into your body position. You will start instinctively understanding how your skis feel and react in certain situations, and how to use them. You’ll also start naturally anticipating changes in conditions and terrain. Speed will no longer scare you; rather, you’ll be able to control and enjoy it.
As you begin mastering terrain, you’ll end up trying out different body positions. Through this experimentation, you’ll develop new ways to change direction and turn your skis in a wider range of motion.
Just watching someone who moves like this is a delight—experiencing it for yourself is transformative. In time you’ll begin skiing the mountain instead of letting it ski you.
Extreme skiing pioneer Dan Egan has appeared in 12 Warren Miller Ski films and countless others. Today he teaches clinics and guides trips at locations around the world including Big Sky, Val-d’Isère, France. He’ll be in Big Sky Feb. 20-22, Feb. 27-29 and March 5-7, 2020. Visit skiclinics.com for camp dates, online coaching tips, photos and information.
The Outlaw Partners is a creative marketing, media and events company based in Big Sky, Montana.
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Saturday, March 23rd 6:00-8:00pm We will combine the heart-opening powers of cacao with the transcendental powers of breathwork and sound. Together, these practices will give us the opportunity for a deep
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We all are familiar with using a limited palette, but do you use one? Do you know how to use a
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We all are familiar with using a limited palette, but do you use one? Do you know how to use a limited palette to create different color combinations? Are you tired of carrying around 15-20 different tubes when you paint plein air? Have you ever wanted to create a certain “mood” in a painting but failed? Do you create a lot of mud? Do you struggle to achieve color harmony? All these problems are addressed in John’s workbook in clear and concise language!
Based on the bestselling “Limited Palatte, Unlimited Color” workbook written by John Pototschnik, the workshop is run by Maggie Shane and Annie McCoy, accomplished landscape (acrylic) and plein air (oil) artists,exhibitors at the Big Sky Artists’ Studio & Gallery and members of the Big Sky Artists Collective.
Each student will receive a copy of “Limited Palette, Unlimited Color” to keep and take home to continue your limited palette journey. We will show you how to use the color wheel and mix your own clean mixtures to successfully create a mood for your paintings.
Each day, we will create a different limited palette color chart and paint a version of a simple landscape using John’s directives. You will then be able to go home and paint more schemes using the book for guidance.
Workshop is open to painters (oil or acrylic) of any level although students must have some basic knowledge of the medium he or she uses. Students will be provided the book ($92 value), color wheel, value scale and canvas papers to complete the daily exercises.
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Trivia from 7 to 9 p.m. at The Waypoint in Town Center. Participation is free, food and beverages available.
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Trivia from 7 to 9 p.m. at The Waypoint in Town Center. Participation is free, food and beverages available.
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