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Eddy Line: How to be a better caster
Published
9 years agoon
Posted By
Outlaw PartnersBy Patrick Straub Explore Big Sky Fishing Columnist
Anglers often struggle with pinpointing errors in their cast. From a beginner fumbling with their line hand to an experienced angler fighting a nasty tailing loop, most people can appreciate a little help improving their cast. As with any instructor, personal style plays a role in how the information is presented. But despite casting instructors’ differences in style, the principles to accomplish a successful cast do not change. Here are six not-so-secret secrets to a good cast.
The pick-up. Before any new cast is made, the rod must be raised, or “picked-up.” This causes any additional slack to be taken out of the fly line. The principle of getting slack out of the line is similar to a coiled garden hose with a sprinkler at the end of it – the sprinkler isn’t going to move in any direction until the hose is completely uncoiled and in a straight line.
The backcast. The second part of the cast begins just after the pick-up, with a slight pause. Then, the rod is thrust backwards to a point at which the thumb of the rod hand shouldn’t be back any further than one’s ear. At this point it’s crucial that the wrist doesn’t “break,” or shifting the bottom of the palm of the hand so it turns outward or upward. It should remain facing downward the entire time – as if you were trying to toss a cup of water behind you, without spilling it on your shoulders or back. It’s a speed-up and stop motion, placing a bend in the rod, and is crucial to cause the fly line to accelerate through the air, ideally following the path of the rod tip. Once the rod has been stopped at the end of the backcast, the line now must have time to straighten.
The pause after the backcast. After the rod is stopped at the end of the backcast, a slight pause is required to allow the fly line to straighten out behind the caster. When first learning, it’s a good idea to turn your head and watch the fly line. Once you see the line straighten, then you can go onto the forward cast. Additionally, the longer the cast – or the more fly line you have out – the longer you must pause before you go into your forward cast.
The forward cast. After the pause, it’s time to accelerate the rod forward. The path of the rod tip during the forward cast should follow a straight line, but the direction of the line should be angled slightly down and toward your target. Imagine the cable on a chairlift. The cable is straight the entire time, but over the course of the ride, the cable angles downhill. Just like the backcast, it’s crucial to accelerate at the start of the forward cast and stop abruptly at the end.
The pause after the forward cast. Just like you did at the end of your backcast, you must pause slightly to allow the fly line to straighten out in front of you. This pause is key to a good lay-down or a good backcast if you’re casting to lengthen your line.
The lay-down. Once you made the acceleration and stop, and the fly line is straight out in front of you, slowly lower the rod tip. Doing this allows fly line fly to hit the water in rhythm with each other – the fly line slightly before the fly. If the previous five principles are executed properly, the lay-down should be an attractive uncoiling of the casting loop in front of you. If it isn’t: practice, practice, practice.
These six principles offer a general guideline to increasing your success. They’re not set in stone and these aren’t the only ways to have a good fly cast. But, if this article causes you to practice a casting stroke while sitting at your desk, then I’ve at least got you thinking about it.
And don’t worry about the funny looks you get from your coworkers, because you’ve got other thoughts on your mind – like a big trout eating a dry fly!
Pat Straub is the author of six books, including The Frugal Fly Fisher, Montana On The Fly, and the forthcoming Everything You Always Wanted to Know About Fly Fishing. He and his wife own Gallatin River Guides in Big Sky and with a partner operates a guide service on the Missouri River.
The Outlaw Partners is a creative marketing, media and events company based in Big Sky, Montana.
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We all are familiar with using a limited palette, but do you use one? Do you know how to use a
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We all are familiar with using a limited palette, but do you use one? Do you know how to use a limited palette to create different color combinations? Are you tired of carrying around 15-20 different tubes when you paint plein air? Have you ever wanted to create a certain “mood” in a painting but failed? Do you create a lot of mud? Do you struggle to achieve color harmony? All these problems are addressed in John’s workbook in clear and concise language!
Based on the bestselling “Limited Palatte, Unlimited Color” workbook written by John Pototschnik, the workshop is run by Maggie Shane and Annie McCoy, accomplished landscape (acrylic) and plein air (oil) artists,exhibitors at the Big Sky Artists’ Studio & Gallery and members of the Big Sky Artists Collective.
Each student will receive a copy of “Limited Palette, Unlimited Color” to keep and take home to continue your limited palette journey. We will show you how to use the color wheel and mix your own clean mixtures to successfully create a mood for your paintings.
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Please join the Arts Council of Big Sky for free music from Jacob Rountree at the Wilson Hotel Lobby Bar from 5-7 p.m. on April 24.
Jacob Rountree is an alternative/indie songwriter living in the stunning alpine of Montana. Contemplative yet playful, his lyric forward style is reflective of his love for philosophy, poetry and quantum physics.
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Trivia from 7 to 9 p.m. at The Waypoint in Town Center. Participation is free, food and beverages available.
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The Waypoint
50 Ousel Falls Rd