Since first donning a helmet 15 years ago, Smith’s Pivot MIPS is one of the most comfortable lids I’ve worn. The fit wraps nicely around my face and ears, blocking out the wind and cold Montana air. Despite its lack of bulk it seamlessly accommodates a light beanie – which is key for me on extra cold days. The mini visor on the brim also keeps me sliding in style.
With 13 vents, I was worried the Pivot might be too drafty, but Smith’s AirEvac 2 and Airflow climate control systems regulate the helmet’s temperature well – it keeps me warm without being too hot, and allows enough airflow to keep me cool on short inbounds hikes. While I hope to never have to use it, the integrated MIPS technology will allow a small rotation of the outer shell relative to the liner – if you crash and your head impacts at an angle it will decrease rotational forces, reducing potential damage to your brain.
Overall the Pivot MIPS is a great high-tech helmet that should provide years of solid performance. Available in both men’s and women’s styles, the price tag is a worthwhile investment in protecting your head, while enjoying deep days on the mountain. $160 smithoptics.com
We all are familiar with using a limited palette, but do you use one? Do you know how to use a
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We all are familiar with using a limited palette, but do you use one? Do you know how to use a limited palette to create different color combinations? Are you tired of carrying around 15-20 different tubes when you paint plein air? Have you ever wanted to create a certain “mood” in a painting but failed? Do you create a lot of mud? Do you struggle to achieve color harmony? All these problems are addressed in John’s workbook in clear and concise language!
Based on the bestselling “Limited Palatte, Unlimited Color” workbook written by John Pototschnik, the workshop is run by Maggie Shane and Annie McCoy, accomplished landscape (acrylic) and plein air (oil) artists,exhibitors at the Big Sky Artists’ Studio & Gallery and members of the Big Sky Artists Collective.
Each student will receive a copy of “Limited Palette, Unlimited Color” to keep and take home to continue your limited palette journey. We will show you how to use the color wheel and mix your own clean mixtures to successfully create a mood for your paintings.
Each day, we will create a different limited palette color chart and paint a version of a simple landscape using John’s directives. You will then be able to go home and paint more schemes using the book for guidance.
Workshop is open to painters (oil or acrylic) of any level although students must have some basic knowledge of the medium he or she uses. Students will be provided the book ($92 value), color wheel, value scale and canvas papers to complete the daily exercises.