Richard Louv, an American writer whose recent release of “Our Wild Calling” explores the benefits that come from spending time with animals. PHOTO COURTESY OF RICHARD LOUV
Think about how language shapes the
way we regard our relationship with the land.
Richard Louv, the American writer who helped
bring the term “nature-deficit disorder” into modern consciousness, has a brand-new
book, this one focused on the benefits that come from humans sharing company
and having interactions with animals.
“Our Wild Calling” is a journey of
discovery, with Louv serving as interpreter, into the rapidly-growing body of
scientific evidence showing how nonhuman beings possess not only intelligence
but a range of emotions. As he notes, the most compelling proof comes from
observing the dogs, cats, horses and other animals we share space with.
The book is an entertaining read that
stays with you and prompts one to reconsider our own place in nature.
Louv, who is now on a national book
tour and considers Greater Yellowstone one of his favorite regions, recently
agreed to answer a few questions.
Todd Wilkinson:What are a few of the things you learned while doing research
that previously you were unaware of?
Richard Louv: Research into animal communication within and between species is
growing quickly. I learned that horses have more facial expressions than dogs,
and are surprisingly similar to the signals that human faces send, but happen
in micromovements difficult for most people to detect. Communication among
animals is occurring around us all the time, in a kind of animal extranet. Male
alligators attract females by emitting low-frequency sounds that bounce
droplets of water on their backs. Try that on your next date. Birds do more
than tweet.
TW:Elaborate
on that.
RL: One
of the people I profiled in the book is Jon Young, the founder of several
nature connection programs, including 8 Shields and the Wilderness Awareness
School in Duvall, Washington. He has taught hundreds of people how to
communicate with, or at least understand, birds.
“Deep bird language,” as he defines it, refers to the specifics of bird life but is also about a different frame of mind and awareness. Humans and other animals have modes, gestures, sounds, bleeps and blurts—identifiable patterns that precede human language. Young has noted that people who learn bird language often apply what they have learned to how they communicate with their spouses, children or even their boss. And their lives improve. This is the Oldest Language, its origins older than most species living today.
TW:How
do you think that having more empathy/sympathy for other life forms leads to a
better society?
RL: One
of the central themes in “Our Wild Calling” is the growth of human loneliness;
they suggest that isolation is equal to or will soon exceed other risk factors
for early death, such as obesity. I make the case that this loneliness is not
only aggravated by anti-social media, but is rooted in a deeper species loneliness:
a growing disconnect with the greater living family.
Research shows that the urban parks
that have the best impact on human psychological health are the parks with the
highest biodiversity, the widest array of animal and plant species. I
don’t believe that’s an accident. As a species we are desperate to know that we
are not alone in the universe. But intimacy is all around us. The number of
dogs in the United States, proportionate to the human population, is higher
than ever.
TW:Here’s
a question related to your momentous book, “Last Child in the Woods,” and it
has a link to this book: What do you think is the triggering mechanism by which
a user of nature is converted or transformed into being a defender of nature
and the other beings inhabiting it?
RL: One
morning, during my own close encounter with two golden eagles on a lake shore,
I became intensely aware of the reality that existed between them and me. Even
if that reality existed in my imagination, what I sensed had meaning. I felt a
change. I told this story to my son—this is the son who has the fishing gene;
when he was three, I caught him fishing in the humidifier.
I told him: “Matthew, whoever I say I
am, I’m not. Who I was in those moments is who I really am, and I don’t have
the words to explain this.” In searching for those words, I came to this
conclusion: We live in two natural habitats. One habitat is the physical
environment that we work hard to protect from ourselves. The other is the
habitat of the heart, which exists between us and other animals, including
other humans. We often undervalue and fail to protect that second habitat. If
one of those habitats dies, so does the other.
The human need to connect with other animals, and to find and express meaning through them, is baked deep within our psyches. Once, we told our stories around campfires. Physically acting out the experience, we became the bear. Now we do this around the electric campfire (YouTube) or, preferably, a dining room table, a front porch, a classroom. I’ll bet many of your readers have their own stories to tell.
Todd Wilkinson is the founder of Bozeman-based “Mountain Journal” and is a correspondent for “National Geographic.” He’s also the author of “Grizzlies of Pilgrim Creek” about famous Jackson Hole grizzly bear 399.
We all are familiar with using a limited palette, but do you use one? Do you know how to use a
more
Event Details
We all are familiar with using a limited palette, but do you use one? Do you know how to use a limited palette to create different color combinations? Are you tired of carrying around 15-20 different tubes when you paint plein air? Have you ever wanted to create a certain “mood” in a painting but failed? Do you create a lot of mud? Do you struggle to achieve color harmony? All these problems are addressed in John’s workbook in clear and concise language!
Based on the bestselling “Limited Palatte, Unlimited Color” workbook written by John Pototschnik, the workshop is run by Maggie Shane and Annie McCoy, accomplished landscape (acrylic) and plein air (oil) artists,exhibitors at the Big Sky Artists’ Studio & Gallery and members of the Big Sky Artists Collective.
Each student will receive a copy of “Limited Palette, Unlimited Color” to keep and take home to continue your limited palette journey. We will show you how to use the color wheel and mix your own clean mixtures to successfully create a mood for your paintings.
Each day, we will create a different limited palette color chart and paint a version of a simple landscape using John’s directives. You will then be able to go home and paint more schemes using the book for guidance.
Workshop is open to painters (oil or acrylic) of any level although students must have some basic knowledge of the medium he or she uses. Students will be provided the book ($92 value), color wheel, value scale and canvas papers to complete the daily exercises.